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Reger’s Retort

German composer and pianist Max Reger

1906: Writing in the Münchener Neueste Nachrichten on 7 February, music critic Rudolf Louis panned Max Reger’s Sinfonietta for “conjuring up the illusion of significance by a thousand contrapuntal tricks”.

Reger bristled. “I am sitting in the smallest room of my house,” he wrote in reply. “I have your review before me. In a moment it will be behind me.” (“Ich sitze in dem kleinsten Zimmer in meinem Hause. Ich habe Ihre Kritik vor mir. Im nachsten Augenblick wird sie hinter mir sein.”)

Source: Nicolas Slonimsky, Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time (2000), p. 139

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