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Tag archive: Musical Criticism

Harshly Critical

Sergei Prokofiev, photographed in about 1918

1916: The music critic Leonid Sabaneyev described the first Moscow performance of Sergei Prokofiev’s Scythian Suite as bad, cacophonous and barbaric. Sabaneyev wrote the review off the top of his head; he didn’t bother to attend the performance. If he had, he would have known that it was cancelled at short notice.

Source: Nicolas Slonimsky, Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time (2000), p. 129

Unmusical Anatomy

Erik Satie, photographed by Man Ray in about 1921

1917: The music critic Jean Poueigh congratulated Parade’s composer, Erik Satie, when the ballet was first performed in Paris, but then savaged it in print. The enraged composer fired off a series of insulting postcards. “You are an ass-hole – and, if I dare say so – an unmusical ‘ass-hole’.” (“Vous êtes un cul – si j’ose dire, un «cul» sans musique.”)

Source: Satie Seen Through His Letters, ed. Ornella Volta (1994), pp. 131–3

Vulgar Wailing

1932: “Ravel’s Bolero I submit as the most insolent monstrosity ever perpetrated in the history of music. From the beginning to the end of its 339 measures it is simply the incredible repetition of the same rhythm,” scoffed Edward Robinson in The American Mercury. The main theme, he wrote, was “an overwhelmingly vulgar cabaret tune”, little different from “the wail of an obstreperous back-alley cat”.

Source: Nicolas Slonimsky, Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time (2000), p. 138